The Hurricane Ridgerunners (FRC604)
Mark Graham has been playing old-time music on the Marine Band harmonica for over 30 years. In that time he has played hundreds of concerts and dances and performed with many of the luminaries of Southern old-time and bluegrass music including Tim O’Brien, Laurie Lewis, Dirk Powell, The Horseflies, The Chicken Chokers, Tom Sauber, Pete Sutherland, Bad Livers and Continue reading
The Chicken Chokers (FRC603)
The Chicken Chokers were an old-timey string band from the Boston area who intersected their roots influences with reggae, punk, and rap. Fiddler Chad Crumm and multi-instrumentalists Paul Strother, Taylor Smith, and Jim Reidy released two albums on Rounder, 1987’s Shoot Your Radio and Old Time Music in 1990. But when Crumm departed for New York City, the group Continue reading
See The Horse Flies (FRC602) and The Renegades (FRC605)
Banjo Player with “the Horse Flies” and “the Renegades”
I got into playing music at 14 in junior high, with a pack of like-minded hippie kids. (A typical beginning, eh?) Except the kind of music we were exposed to was string band and jug band music. Locally there were some very active bands in these genres, while on our record players we had Lou Reed, Bob Marley, the Beatles, the Stones, Doc Watson, Jimmy Rogers, Hank Continue reading
The Horse Flies (FRC602)
By Luke Z. Fenchel
Ithaca Times -11/14/2007
In the late 1970s and early 80s, bands like Joy Division, Talking Heads and Public Image Limited dared to take punk and pop and “rip it up and start again.” While those groups were reworking Anglo-American popular music, another group of artists were exploring the sonic possibilities of an even more established genre: old-time fiddle music. The Ithaca area was a focal point in this Continue reading
The Horse Flies (FRC602)
By Judy Hyman
The Horse Flies came together in 1979 in Ithaca, NY. The initial lineup (Judy Hyman and Mike Scott fiddles; Jeff Claus, guitar; John Hoffmann, banjo; and Molly Stouten, bass), played fiddle tunes and old songs at regional festivals and square dances. By the early 980s they settled into a 4-piece quasi-traditional old-time string band with Judy Hyman on fiddle, Richie Stearns on banjo, Jeff Claus on guitar and banjo uke, and John Hayward on upright bass. Continue reading
See Texas Fiddle Bands (FRC409) and P.T. Bell (FRC410)
From Bill Owens “Tell Me a Story, Sing Me a Song”
In Texas, as in other parts of the frontier west of the Alleghenies, the settlers were generally liberal in matters of personal belief and religious freedom. Continue reading
Balfa Brothers and Nathan Abshire (FRC111)
By Dan Foster
Singing in French. A fiddle adds plaintive drones and harmony. A boisterous accordion, all staccato attack and ornate rolls, provides lift and bounce. Beneath this trinity of voice, fiddle and accordion, a rhythm guitar and a great iron triangle jangle out a rude chanky-chank. The result is the quintessential sound of the South Louisiana prairies and bayous, Cajun music. The Continue reading
By Bob Hudson
If a band is defined more by its sound than by its songs, then the Nee Ningy Band was in a class by itself. Most old-time or blues bands, while unique in their own way, sound at least a little like every other old-time or blues band. While the musical influences on the Nee Ningy Band are easy to distinguish—blues, Cajun, Celtic, and so on—they just didn’t sound like anyone else. Not then, not since. Continue reading
By Andy Cahan
Walter Raleigh Babson was among the few banjo and fiddle players from coastal North Carolina still living in the late twentieth century. Originally from Ash, in Brunswick County, he lived at Wrightsville Beach for about the last 25 years of his life. He worked for many years as a carpenter and was a skilled woodworker as well. In earlier times he worked in various trades Continue reading
by Wilson Roberts
Following is a transcript of the spoken part of the concert. Speaking are Dock Boggs, his guitarist, Kate, and Dr. Cratis Dearl Williams, founding Dean of the ASU Graduate School, Now the Cratis Williams Graduate School, who arranged the concert. The major editorial license I took in transcribing Dock Boggs narrative was in deleting a number of “and, ah” constructions he used to Continue reading
By Ray Alden
Thomas Jefferson Jarrell was born in 1901, the son of Ben and Susan Jarrell. His father was the fiddler for Da Costa Woltz and his Southern Broadcasters, a string band that recorded nine 78 rpm records for Gennett in 1927. Just as his father eclipsed his brother Charlie as a well known fiddler, Tommy would surpass all of his ten siblings in music. Oddly enough, Ben did not push Continue reading
By Jerry Epstein
I first went to Pinewoods Camp Folk Music Week in 1965 — a life changing experience in more ways than I can count. It was the first time I had an opportunity to live with source traditional artists, and I had enough sense to realize that there was something special here that would not be found on the coffee house circuit. I met Jean Ritchie in 1965, Louis Killen in 1966, and Norman Kennedy in 1967. Continue reading
Rector Hicks was born out in the country around Chloe, Calhoun County, West Virginia in 1914. Although his father played mouth harp, no one in his immediate family was a fiddler. Rector learned from fiddlers in the area, beginning to play the instrument when he was about ten years old. Rector said that he never played for dances, a typical training ground for a country Continue reading
By Eugene Chadbourne, All Music Guide
The titles of tunes this historic North Carolina banjo man recorded evoke the rowdy milieu he came out of : “High Sheriff,” “Old Corn Liquor,” “Black Annie,” “Roustabout,” “Fox Chase,” and so forth. But his importance as a link to Afro-American traditions as well as Appalachian styles means his music has been the subject of intense study by archivists and ethnomusicologists. Continue reading
by Paul Wadey
Robert McKinley Douglas, fiddle player: born Pikeville, Tennessee 9 March 1900; married (two sons, and one daughter deceased); died Dayton, Tennessee 2 May 2001. Continue reading
By Howard (Rusty) Marshall
On a chilly, clear evening in November 1975, I had the opportunity to record and photograph the fiddler Lee Roy Stoneking at his home in Clinton, Missouri, a few miles from the farm where he was born. Stoneking had invited his son, Fred, to come play backup guitar, but Fred couldn’t make it. But his daughter, Judy Vanderville, was handy, and the session turned out nicely, with Continue reading
by Brad Leftwich and Linda Higginbotham July, 2014
From 1982 to 1986 my wife Linda and I performed at the Mountain Folks Music Festival, held for ten days every June at the Silver Dollar City theme park in Branson, Missouri. It was a great experience, and we met and became friends with traditional musicians from all over Arkansas, Oklahoma, and Missouri. One of the musicians we got to know was Fred Stoneking, who was Continue reading
By Dan Foster
Peter Tumlinson Bell was born. February 26, 1869, near Gallinas Creek, Atascosa County, Texas. His grandfather, Jonathan Bell had come to Texas from Mississippi in 1853 and settled 60 miles southeast of San Antonio. Jonathon Bell was killed in a gunfight the following year, leaving his young son Marion “Mace” Bell to be raised on the frontier by an older brother Bill. Mace and his brothers had many narrow escapes fighting Indians and struggling to survive in the South Texas wilderness. Continue reading
As researched by Guthrie T. Meade
Continue reading