Balfa Brothers and Nathan Abshire (FRC111)
By Dan Foster
Singing in French. A fiddle adds plaintive drones and harmony. A boisterous accordion, all staccato attack and ornate rolls, provides lift and bounce. Beneath this trinity of voice, fiddle and accordion, a rhythm guitar and a great iron triangle jangle out a rude chanky-chank. The result is the quintessential sound of the South Louisiana prairies and bayous, Cajun music. The Continue reading
By Bob Hudson
If a band is defined more by its sound than by its songs, then the Nee Ningy Band was in a class by itself. Most old-time or blues bands, while unique in their own way, sound at least a little like every other old-time or blues band. While the musical influences on the Nee Ningy Band are easy to distinguish—blues, Cajun, Celtic, and so on—they just didn’t sound like anyone else. Not then, not since. Continue reading
By Andy Cahan
Walter Raleigh Babson was among the few banjo and fiddle players from coastal North Carolina still living in the late twentieth century. Originally from Ash, in Brunswick County, he lived at Wrightsville Beach for about the last 25 years of his life. He worked for many years as a carpenter and was a skilled woodworker as well. In earlier times he worked in various trades Continue reading
by Wilson Roberts
Following is a transcript of the spoken part of the concert. Speaking are Dock Boggs, his guitarist, Kate, and Dr. Cratis Dearl Williams, founding Dean of the ASU Graduate School, Now the Cratis Williams Graduate School, who arranged the concert. The major editorial license I took in transcribing Dock Boggs narrative was in deleting a number of “and, ah” constructions he used to Continue reading
By Ray Alden
Thomas Jefferson Jarrell was born in 1901, the son of Ben and Susan Jarrell. His father was the fiddler for Da Costa Woltz and his Southern Broadcasters, a string band that recorded nine 78 rpm records for Gennett in 1927. Just as his father eclipsed his brother Charlie as a well known fiddler, Tommy would surpass all of his ten siblings in music. Oddly enough, Ben did not push Continue reading
By Jerry Epstein
I first went to Pinewoods Camp Folk Music Week in 1965 — a life changing experience in more ways than I can count. It was the first time I had an opportunity to live with source traditional artists, and I had enough sense to realize that there was something special here that would not be found on the coffee house circuit. I met Jean Ritchie in 1965, Louis Killen in 1966, and Norman Kennedy in 1967. Continue reading
Rector Hicks was born out in the country around Chloe, Calhoun County, West Virginia in 1914. Although his father played mouth harp, no one in his immediate family was a fiddler. Rector learned from fiddlers in the area, beginning to play the instrument when he was about ten years old. Rector said that he never played for dances, a typical training ground for a country Continue reading
By Eugene Chadbourne, All Music Guide
The titles of tunes this historic North Carolina banjo man recorded evoke the rowdy milieu he came out of : “High Sheriff,” “Old Corn Liquor,” “Black Annie,” “Roustabout,” “Fox Chase,” and so forth. But his importance as a link to Afro-American traditions as well as Appalachian styles means his music has been the subject of intense study by archivists and ethnomusicologists. Continue reading
by Paul Wadey
Robert McKinley Douglas, fiddle player: born Pikeville, Tennessee 9 March 1900; married (two sons, and one daughter deceased); died Dayton, Tennessee 2 May 2001. Continue reading
By Howard (Rusty) Marshall
On a chilly, clear evening in November 1975, I had the opportunity to record and photograph the fiddler Lee Roy Stoneking at his home in Clinton, Missouri, a few miles from the farm where he was born. Stoneking had invited his son, Fred, to come play backup guitar, but Fred couldn’t make it. But his daughter, Judy Vanderville, was handy, and the session turned out nicely, with Continue reading
by Brad Leftwich and Linda Higginbotham July, 2014
From 1982 to 1986 my wife Linda and I performed at the Mountain Folks Music Festival, held for ten days every June at the Silver Dollar City theme park in Branson, Missouri. It was a great experience, and we met and became friends with traditional musicians from all over Arkansas, Oklahoma, and Missouri. One of the musicians we got to know was Fred Stoneking, who was Continue reading
By Dan Foster
Peter Tumlinson Bell was born. February 26, 1869, near Gallinas Creek, Atascosa County, Texas. His grandfather, Jonathan Bell had come to Texas from Mississippi in 1853 and settled 60 miles southeast of San Antonio. Jonathon Bell was killed in a gunfight the following year, leaving his young son Marion “Mace” Bell to be raised on the frontier by an older brother Bill. Mace and his brothers had many narrow escapes fighting Indians and struggling to survive in the South Texas wilderness. Continue reading
As researched by Guthrie T. Meade
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See Texas Fiddle Bands (FRC409) and P.T. Bell (FRC410)
From various sources
By Joan Cook Published: December 12, 1990
William A. Owens, a folklorist and author who taught at Columbia University for 28 years, died on Saturday [Dec. 1990] at the Ramapo Manor Nursing Center in Suffern, N.Y. He was 85 years old and lived in Nyack, N.Y. He died of complications from Alzheimer’s disease, a spokesman for the family said. He joined the Columbia faculty as an English teacher in 1945 and became a full professor in 1966. He was director of the school’s summer session from 1959 to 1969, when he was named to the new post of dean of the summer session. He retired in 1974 with the titles of dean and professor emeritus. Continue reading
See John Summers – Master Indiana Fiddler (FRC310) and John Wesley Summers: A Historical Sketch of My Father (article)
By Joel Shimberg
Mr. Summers’ old friend, Judge Dan White, had gone on vacation to a dude ranch in Colorado. He met a young couple from Los Angeles, Dan and Lorna O’Leary, who admired his fiddling. He told them that they should hear his friend, Dick Summers, and sent them these recordings. (‘Dick’ was a childhood nickname.) The tapes were given to a member of the New Lost City Ramblers (John Cohen), who gave them to Art Rosenbaum, who lived in Indianapolis, Indiana. Art later visited Mr. Summers and did extensive recording. Continue reading
See John Summers (FRC310) and John Summers (article)
By Rev. John K. Summers
How do you go about writing about a “master” of his profession? My father was not only a perfect farmer, but without a doubt, the finest interpreter of Irish jigs and reels and old Scottish schottisches via the violin. He was self-trained, having started when he was just 2 years old. His father, my grandfather, Simon Summers, took this small toddler on his lap, put a violin under his chin and held his hand as he pulled the bow across the strings. That lad was to grow up loving the violin and the music of yesterday.
By Eugene Chadbourne
Obray Ramsey is the banjo-picking cousin of old-time music instrumentalist Byard Ray, and the two worked regularly as a duo until they were “discovered” playing at an Asheville folk festival during the folk music revival of the ’60s. From that point on, the two men’s musical career took a strangely twisted path. Late-night television mongers who may have made it all the way through the strange psychedelic rock western Zachariah, may wonder who the two old-time musicians are that show up in one of this epic’s many strange musical wonders, and the answer would be Ray and Ramsey. Continue reading
by Ray Alden
Jesse Shelor (born December, 1894) was the youngest boy of the fourteen children of Reverend William Ellis Shelor. Even though all of Jesse’s brothers played fiddle or banjo, it was not their influence, but rather a more startling event that started ten year old Jesse fiddling.
One day Jesse’s father came home, picked up a fiddle, and played “Callahan”. This impressed young Jesse greatly since he had no idea his father played! Continue reading
