Jimmy Wheeler (FRC401)
by Jeff Goehring
Oct. 5, 1982 – First recording session with Jimmy Wheeler in Portsmouth, Ohio
Arrived approx. 2 p.m. unexpectedly.
Found Jimmy and two of three sisters sitting under awning between house and shop/garage, smoking cigarettes and drinking Old Milwaukee in red and white cans, a welcoming wave. Jimmy didn’t remember my name though I’m positive he remembered me. His sisters Dottie and Merle were friendly. Dot remembered me, Merle didn’t. Continue reading
Fred Cockerham (FRC101)
by Ray Alden
Fred Cockerham, one of the seven children of Elias and Betty Jane Cockerham, was born on November 3, 1905. He was the only one from the Round Peak community to attempt the difficult life of a professional rural musician. The way that Fred began playing the fiddle is similar to the way many country musicians began. Basically, this story can be heard on Continue reading
Sidna & Fulton Myers (FRC504)
by Kerry Blech, Old Time Herald Magazine
Fiddler James Fulton “Jimmy Natural” Myers was born about 1895 and died in 1979. According to Blanton Owen, who recorded him in the mid-1970s, he was born near Woodlawn, Virginia, between Galax and Hillsville. He farmed, worked for the WPA during the Great Depression, and was a mason’s helper. He learned to play from his father, who played banjo, and from “Old Man” Continue reading
Sidna & Fulton Myers (FRC504)
by Jody Stecher (Fiddler Magazine)
This installment of Cross-Tuning Workshop (CROSS-TUNING WORKSHOP Part Thirty-Two: ADAE) pairs a well-known fiddle tune with a little-known but fascinating fiddler. “Soldier’s Joy” is a contender for the world’s most played fiddle tune. If you wonder why, you’ve heard only the bad versions. This is a great tune for dancing, always fun to play (on any instrument), and it carries a huge amount of energy which it will release to Continue reading
Santford Kelly (FRC503)
by Kerry Blech, Old Time Herald Magazine
I want to be perfectly clear about my feelings about this series, The Field Recorders’ Collective (FRC). I have bought into the concept totally, from the very moment that Ray Alden told me about his plans several years ago. There are many recording projects that are worthy and fruitful, but this one is very special, to me at least. I’ve known Ray for over 30 years. He’s always Continue reading
Lonnie Seymour (FRC403) and bonus tracks on Cecil Plum (FRC404)
by Betty Seymour, April 2006
Lonnie was born June 15, 1922. Lonnie’s grandpa, John Seymour, played the fiddle, so when Lonnie was about five years old, grandpa would put him on the bed with his fiddle and let him play it. Lonnie watched how Grandpa worked his fingers and bow, that is how he learned to play the fiddle. He came from a family that loved the fiddle, including his dad, Webster, and Continue reading
The Lost Recordings of Banjo Bill Cornett (FRC304)
by Art Rosenbaum
Reprinted here by permission of the Old Time Herald Magazine (April-May 2006 issue)
The Field Recorders’ Collective FRC304 CD is a self-recorded legacy of Banjo Bill Cornett, giving us what is arguably the finest very early-style mountain singing to banjo ever recorded. Cornett did play for others and in public—he played his “Old-Age Pension Blues” on the floor of the Kentucky Legislature, and according to John Cohen, “died while entertaining at a restaurant in Continue reading
The Lost Recordings of Banjo Bill Cornett (FRC304)
by John Cohen
Bill Cornett was born in East Kentucky in 1890. He started playing banjo at age eight. His musical flair, he reported, was inherited from his mother who sang ballads to him. He operated a country store two miles outside of Hindman. It is said that he’d rather sit and pick his banjo than wait on customers. In 1956 he was elected to the Kentucky State Legislature, representing Continue reading
Buddy Thomas (FRC303)
by Mark Wilson
Biography and photos from Rounder CD0032, “Kitty Puss,” produced by Guthrie T. Meade and Mark Wilson.
Used by permission. To order Rounder CD0032, visit www.rounder.com.
We growed up real poor, so poor that even the poor folks said we were poor. There were ten in our family and we had to raise most everything we ate and work in logwoods and stuff like that. My dad worked all the time, but he was sick and had to doctor so much, that I don’t see how he could have made it if it hadn’t been for us. He was a big strong man until he got sick and he Continue reading
Ola Belle Reed (FRC203)
by Thomas Polis (For further information go to www.olabellereed.com)
Ola Belle Reed was born Ola Wave Campbell on August 17, 1916, in Lansing, North Carolina. She was one of thirteen children born to Arthur Harrison Campbell and Ella May Osborne Campbell. The Campbell family ancestors had moved to the New River Valley of western North Carolina sometime around the 1760’s. Arthur Harrison was an educated man who spent his life as a Continue reading
Clyde Davenport, Vol. 1 (FRC103), Clyde Davenport, Vol. 2 (FRC104),
Clyde Davenport DVD (FRC1004)
by Jeff Titon
Kentuckian Clyde Davenport is a master old-time fiddler and banjo player. His large repertory of traditional tunes, many of them rare, makes him an important source musician. At 85, he still plays wonderfully well. For almost twenty years old-time fiddlers and banjo players have made pilgrimages to his home in Monticello, Kentucky, to share in his music. Clyde is amused and Continue reading
Byard Ray, Manco Sneed & Mike Rogers (FRC505)
by Dakota Brewer, the daughter of Manco, for the occasion of the John H. and Sarah Lovin descendants’ reunion on February 17, 2007 at Tsali Manor, Cherokee, NC.
Manco Sneed was born in Graham County Feb.18-1885, the son of John Harrison and Sarah Lovin Sneed, but later moved to Cherokee and lived in the “Sneed Gap” section all of his life where he and my mother Rosebud Beck Sneed raised their family of seven children. He died at age 89. Continue reading
Byard Ray, Manco Sneed & Mike Rogers (FRC505)
by Blanton Owen
This paper, slightly revised, was originally presented as part of a panel at the American Folklore Society meeting in Los Angeles on 26 October 1979.
It is tempting to take the easy route when studying a region’s folk life by dealing with “items” as if they exist and have existed without much tampering with by human beings. It is easy simply Continue reading
Interviewed 29th September 1982 by Frank Weston
I was born James Corbett Stamper in Grayson County, Virginia, in the 9th district 13th December in 1910. My father was Matt Stamper, he played fiddle and picked banjo just about all his life. And my uncle, his eldest brother played fiddle. My father’s father also named Matt he’s buried down here in this cemetery was a fife player in the civil war and he also played organ and piano. Continue reading
by Reed Martin
My sister lived in Whitesburg, Kentucky, during the mid 1960s and thereafter. In 1967 I went to live with her for the summer. I had been living in my hometown of Bloomington, Indiana. I was used to playing at noisy dances and had taken to the habit of winding all four strings in the peg head – the same direction. If I was part of a band and the noise was great, if my third string was Continue reading
Simon St. Pierre (FRC206)
by Joe Wilson
Simon St. Pierre is a fascinating and elusive figure in Maine fiddling, more heard about than actually heard, a north woods lumberjack skilled in an array of music learned in logging bunkhouses. He came to the French festival in the company of Fred Pike, a stunning guitarist from Maine, and a force of nature almost as elusive as his fiddling partner. They made a huge Continue reading
Kilby Snow (FRC205)
by Joe Riggs
Much has been written about the life and music of Kilby Snow, an autoharp player of the old tradition of playing below the chord bars. Most folks who know his music and style think first of his famous “drag notes,” a technique he developed to simulate a guitar slide or run on the autoharp, caused when he drags the pick upward from lower strings to higher strings. The first Continue reading
The Kimble and Wagoner Families (FRC106)
by Ray Alden
Many years ago, while at a conference on Old Time Music at Brown University, I heard Alan Jabbour describe the music deriving not from a single pure source but behaving more like river in which many currents mingle and churn together to produce a song or a tune. So too, when I look at the Kimble family tree, I see a meandering stream of personalities and musical abilities flowing into the blood of Taylor Kimble and his children. Continue reading
Roan Mountain Hilltoppers In Concert (FRC201) &
Roan Mountain Hilltoppers DVD (FRC1002)
with Frank Weston
This interview originally appeared in issue 45 (Spring 1989) of Tony Russell’s Old Time Music magazine. Used by permission Continue reading
Dennis McGee and Sady Courville (FRC308)
by Jack Bond, Jean Stewart, Barry Ancelet &Tracy Schwarz
The tunes on this CD from the Field Recorders Collective were recorded in 1972 for release of an LP on Morning Star Records (LP #16001). That LP was released in 1972. Only twelve of the twenty-eight tunes played for the recording session were released on that album. The additional tunes, which have never before been released, are also included on this Field Recorders Collective CD. Continue reading